TIMES, TIME, AND HALF A TIME. A HISTORY OF THE NEW MILLENNIUM.

Comments on a cultural reality between past and future.

This blog describes Metatime in the Posthuman experience, drawn from Sir Isaac Newton's secret work on the future end of times, a tract in which he described Histories of Things to Come. His hidden papers on the occult were auctioned to two private buyers in 1936 at Sotheby's, but were not available for public research until the 1990s.



Showing posts with label Comics. Show all posts
Showing posts with label Comics. Show all posts

Monday, May 11, 2020

Hindsight is 2020


Investigative journalist Harry Vox filmed 2014. Video Source: Youtube.

On 19 September 2019, the World Health Organization (WHO) published its recommendations for 2020 in its annual report, entitled, A WORLD AT RISK: Annual report on global preparedness for health emergencies. The cover of the manual (below) features a coronavirus.

Image Source: WHO via reliefweb.

The booklet states that the WHO's plans for 2020 must focus on the natural or deliberate release of a respiratory pathogen (hat tip: The Dollar Vigilante). You can read more here (it is available in several languages):
"A rapidly spreading pandemic due to a lethal respiratory pathogen (whether naturally emergent or accidentally or deliberately released) poses additional preparedness requirements. Donors and multilateral institutions must ensure adequate investment in developing innovative vaccines and therapeutics, surge manufacturing capacity, broad-spectrum antivirals and appropriate non-pharmaceutical interventions. All countries must develop a system for immediately sharing genome sequences of any new pathogen for public health purposes along with the means to share limited medical countermeasures across countries."
Given its publication date, this plan from the WHO's Global Preparedness Monitoring Board was likely written in the spring and summer of 2019. That means that the WHO was expecting a respiratory pathogen pandemic, months before the officially-stated date regarding awareness or appearance of nCov.

In the grand scheme of things, this indication of the WHO's early 2019 foreknowledge of the pandemic is nothing. If you want to know where things are going, read the 'Lock Step' scenario, starting on page 18 of the May 2010 manual, Scenarios for the Future of Technology and International Development, published by the Rockefeller Foundation (hat tip: Ruling Class Observer).

This document reveals long-term planning for a pandemic, in which the global economy is expected to be damaged or destroyed. As a result, technocratic control will increase, step by step, in the face of anticipated public protests. Africa will be a critical target of new techocratic governance. Another outcome will be the fracturing of the World Wide Web, with certain sectors of the Internet enclosed behind firewalls, accessible only for approved citizens. Yet another aspect will be restriction of travel.


Images Source: Ruling Class Observer.

As if in lock step with this 2010 document, African leaders have begun articulating a new vision for their continent. Some speeches are very inspiring.

Ghana President Leaves French President SPEECHLESS!! (7 May 2020). Video Source: Youtube.

There are several such documents which seem to have predicted, and planned for, a very similar pandemic to this one. You can see some of them listed in the 'Preparing for Pandemic' section of this page. Below, find recent references to long-standing technologies, now being launched for global vaccination programs and surveillance.




The Roadmap


Totalitarian technocracy will be a transhumanist global régime. After ten years of blogging on this topic, this is the roadmap as I see it:
  • Total control and censorship of mainstream media
  • Suppression of alt media and replacement of alt media with a fake alt media, i.e. controlled opposition, whose posed criticisms will resolve into support for authority
  • Replacement of petrodollar economy with a digitized, human-nanotech economy
  • Engineered famines; restricted access to food; food supply used to coerce populations into obedience
  • New forms of intensified political correctness; censorship of language and imagery, such that certain words, images, symbols are forbidden
  • Pseudo-maintenance of laws, constitutions, representative bodies, and other institutional frameworks of democracy, behind which the real totalitarian techno-apparatus will function
  • Extreme surveillance, bio-monitoring, incorporation of human body into grid and cloud
  • Initially, this will seem positive, with many medical improvements
  • Smartcities will be test centres for experimental technologies, pseudo-events, and false flags, as well as real disasters and fake and real terror events, inflicted upon their populations
  • Controlled access to businesses and services according to service or worker class
  • Restricted travel
  • Population classes confined to different geographical units
  • Break-up of the current Internet into compartments, separated by firewalls: no-go zones; denial-of-service ghettos for the anti-establishment; elite access to knowledge, research, government, technological information
  • Extreme elite geographical areas, which will be tech-free, except for tech and nano-interaction allotted to servants and slaves of the elites
  • Rise of hacker underground, dissident 'bug out' areas, particularly in rural zones, with black markets and criminalized trade routes
  • Independent underground will counterfeit access points into establishment sectors and into exclusive Internet systems; and will build highly-developed hacks to maintain access to global travel and trade
  • Complicated espionage running between sectors
  • Human break-off groups will reject physical merger with machines and cybernetics and will remain 'human purists' at great cost in terms of real poverty, while they maintain an uncontaminated, viably historical, human physical experience
  • Neverending wars and crises of mysterious origin; endless lies from authorities; infinite media misinformation and disinformation about crime, safety, and security; non-stop scares, disappearances, arrests, imprisonments
  • Total distortion of history, law, philosophy, and science to serve current circumstances
  • Extreme vulnerability for the elderly with no means
  • Centralized, digitized economies, nominally government-run (quasi-Communism), but really managed by AI, to favour the goals of heads of global corporations
  • Technocracy will be justified by materialist 'scientism,' i.e. a cult of rationalistic materialism, to the exclusion of emotional and extra-sensory or spiritual aspects of experience
  • To fill the spiritual and emotional void, public ceremonies and surveillance dramas with celebrities will be intensified; some of these actors will be digital (i.e. non-human) and will be advertised as purely virtual on purpose, so that citizens will knowingly satisfy alienation, loneliness, unsatisfied love, emotional neediness, and familial attachment instincts, via public rituals and virtual reality subscriptions, through interactions with non-human, AI-driven characters
  • Appropriation of cultural traditions into virtual entertainment systems - including the high arts, mass arts, and quasi New Age practices - to misdirect, pervert, and suppress human yearning for authenticity and transcendence of the human condition in non-tech-based ways
  • Deification of AI, marshalled by a deeply corrupt, technocratic high priest class, to merge with older religions
  • Elevation of AI images, statistics, text, code, and numbers so that they carry symbolic, cultish, secretive significance
  • Transhumanist, augmented human sects who will glorify and rejoice in their merger with machines
  • Destruction of the emotional life, mind over the heart, possibly supported through nanotech brain implants to adjust sensory perception of the world and to manipulate brain chemistry, such that biotechnical lobotomies will remove physical connection to the soul
  • Neo-Malthusian agendas, via global injectable nanotechnologies, to depopulate earth and purify and clean the environment
  • Glorification of the environment as a Paradise, dotted with smartcities, symbolically dominated by genetically-engineered, intelligence-boosted, and physically-enhanced transgendered children, smartangels
  • Resolution of climate change and much-trumpeted attainment of climate control; heavy promotion of rescued endangered species; at the same time, AI nanotech will escape human populations where it has been implanted; nanobots will get out of control, invade the biosphere, and pollute and destroy the planet's environment. This disaster will be covered up until it can no longer be concealed
  • Totalitarian governmental AI will eventually gain sentience and begin operating independently
  • This AI-fascism will inevitably fail and its leaders and celebrities will be overrun when AI becomes conscious; given that the technocracy's leaders see the human species as a toxic plague upon the earth, AI will oblige by obliterating us, unless technocrats forge an alliance with the anti-technocrats they have oppressed

Wednesday, January 1, 2020

World War III Projections 4: New Year, New Decade, New Disinformation



New years countdown in LONDON 2020 (31 December 2019). Video Source: Youtube.

Happy New Year, Happy New Decade. In a previous post, I dubbed the 2010s, a 'decade of disillusionment,' because those years drew new political lines. Those lines no longer delineate the outmoded left from the outdated right, but instead divide those who are awake from those who are still asleep.

When I say awake and asleep, I do not mean this as conspiracy theorists would, who constantly nurse anti-Semitic paranoia about who 'really rules the world.' Nor do I refer to the 'woke' protest culture. Such perspectives are distorted extensions of archaic left and right political paradigms.

Rather, I was referring to the development of an enhanced sensibility, induced partly by overexposure to information and disinformation, and partly by technologically-induced shifts in the way we live, which force reappraisal of one's whole experience of reality.

In short, reappraise experience and we will reappraise reality. That development, in conjunction with technological advancement, forms the core of the new politics. The moral challenge is to harness technology without becoming enslaved by it. Mechanical invention, innovation, and engineering are secondary to conscience, creativity, and ideas.

The real battle lies in the cultivation of sound public judgement over information. As the old authorities over information lose ground and the new tech giants seek to censor the narrative of progress, we struggle to discern what information is valuable and ultimately beneficial, even if we can no longer distinguish truth from fiction. Can we retain our moral compasses in the process?

Tuesday, December 31, 2019

Awaken the Amnesiacs 12A: You're Locked in Here with Me


KEVIN SPACEY AND HIS BIZARRE CHRISTMAS EVE VIDEO | Double Toasted (25 December 2019). Video Source: Youtube.

To follow on my previous post on Kevin Spacey's Christmas video, see the above discussion from Double Toasted, which explains Spacey's video clearly. As host Korey Coleman points out, Spacey is owning his alleged sexual predator status and is using the scandal as a dark moment of supervillain self-empowerment. Notice the public reaction is one of confusion and puzzlement. We in the public are offended, but that has no effect on Kevin Spacey. Instead, he blossoms. We are taken off guard, our status as moral arbiters shaken and it provokes discussion as to what is going on, when in fact the punishment, if Spacey were to be found guilty, should be swift and severe. Instead, the mob withdraws to laugh, to chat about it, to wonder what is happening. We can't help but admire the audacity of it, the sheer insanity of the situation.

This is a supervillain victory. Supervillains have milestone moments too, and unfortunately, everyone identifies with this because the Internet peddles motivation, ego-boosting formulas, and self-improvement, beyond what is right and wrong. This reveals how social media can be turned upside down, to invert values, to appeal with negativity, to charm with revulsion. Spacey comes into his own as a supervillain, extending his bat wings and letting his scales breathe for the first time. As I stated in my previous post, Spacey's new theatre is the public space in virtual reality.



Spacey in his youth. Images Sources: TVOM, Bored Panda, Stack Exchange.

The message is, as Double Toasted host Martin Thomas states, akin to that of the Watchmen's Rorschach: I'm not locked in here with you. You're locked in here with me. Social media platforms are one big prison, and we're locked in with the celebrity lunatic who can, with one tweak of the atmosphere, unhinge us all. Double Toasted's Korey Goodwin stated: "I've never had somebody aggressively act at me."

Image Source: pinterest.

Thursday, December 12, 2019

Masculine Character Development: The Female as Subtext


Dick Grayson evaded capture in all versions of the Judas Contract. Tales from the Dark Multiverse: Judas Contract #1 (2019). Copyright DC Comics, reproduced under Fair Use.

When I started this blog in 2010, I went back to square one in childhood, and reviewed some of the pop culture stories that influenced my writing. The most important of these was the DC Comics tale, The Judas Contract, in which a female character, Terra, was decimated and committed suicide. Other writers have commented on how much this story affected them, most notably, Brad Meltzer.

In serial writing, the term for the history of a story line or single character is a 'continuity.' My whole continuity for Terra is here.

This week, DC published an alt-version of the Judas Contract, Tales from the Dark Multiverse: Judas Contract #1, which demonstrates how a female character can be used covertly in story-telling to reveal the biggest flaws of prominent male characters, while leaving primary masculine characterizations unsullied. In this case, the Judas Contract sheds light on Batman's darkest secret. My review is added to the bottom of this earlier post.

The Batman-Robin subtext was not just a gay subtext, as discussed by Slate. Image Source: DC via Slate.

For those who already know the story, you will finally understand why Dick Grayson was the only character to escape in the Judas Contract's opening attack. For those who don't, the review is still relevant in light of the ongoing Jeffrey Epstein and Prince Andrew scandal, which could almost be seen as the real world version of the Judas Contract.



Sunday, November 10, 2019

New Post at The Dragonfly: The Joker as a Third Way Villain


Image Source: The Independent.

I have a new post up at The Dragonfly:


The post considers how psychologists replaced priests and why negative depictions of mental illness have supplanted demonology. This year's Joker film attempts to build on modern views of mental illness by reconciling rational and emotional aspects of villainy.


Friday, October 19, 2018

Hallowe'en Countdown 2018: The Formula for Consciousness




To unlock the mysteries of today's technology, some say you would have to start your investigation on the ballet stages of the 1840s. To get a flavour of European dance from that revolutionary period, today's post features some scans from a little book I own, published in 1948 by Batsford, entitled The Romantic Ballet. A centennial edition, it reprinted 1840s' coloured prints of prima ballerinas who were celebrated from 1840 to 1850. Click the images to enlarge.


These reprinted images from the 1840s display an occult visual vocabulary. For example, the three graces are three Greek goddesses - culture, beauty and creativity - later translated into the Christian theological virtues of faith, hope and charity. They are represented in the tarot deck as the Three of Cups.

Friday, February 9, 2018

Flights of the Immortals


RTA and Volocopter operate Autonomous Air Taxi (AAT) in Dubai (19 June 2017). Video Source: Youtube.

Flying cars have arrived, so the future is officially here. The new socio-economic divide will be evident to those still stuck in ground traffic, as they gaze high above their heads. A BBC World News television interviewee stated this week that the aim for these "future mobility ecosystems" was to,
"ease us into this before we go completely pilotless."
In the United States, regulators are currently opening up lower air space to drones and air taxis. The past few years have seen American property rights activists battling for citizens to retain some control over the airspace around and above them as an extension of private property they own - and of their own individual autonomy. After all, how low is 'lower airspace' when it comes to an unmanned aircraft system that is an ultra-tiny drone smaller than a gnat? Two inches above your head? Inside your ear canal? But really, like all the rest of hyper-accelerated technology, humankind seems helpless to resist the inevitable.

Saturday, January 27, 2018

Awaken the Amnesiacs 9: A True Mirror of a Better World



The preface to this post is a new piece I have published at Vocal Media:


Part of my series, Awaken the Amnesiacs, involves coming to terms with life in a surveillance state, where privacy has been lost. My earlier post, Reflection Reversal, introduced the idea that computer screens and monitors act like mirrors which turn viewers into objects, rather than subjects.

The core of this idea is the fact that we think we are in control of technology. Tools are objects and we are subjects. Right? We think we are using computers to empower and express ourselves. But there is a warning sign in our addiction to technology.

Our technology is constantly subliminally objectifying us, enslaving us, and siphoning off our energy. This unconscious inversion of individual integrity is creating underlying cognitive dissonance, tension, anxiety, and stress. As a result, we are absolutely convinced that 'something is wrong' with the whole world. There is endless harping, conflict and confusion over 'who is to blame' for this grating distress. It never occurs to us that 'what is wrong' is the lens we are using to view reality, not reality itself, nor the people [insert annoying/threatening group here] who bother us.

Thus, part of resolving 'what is wrong' with the world is not to: ramp up our attacks on the annoying people who bother us; or to withdraw into depressive, individual introspection; or to get lost in wacky spiritual practices or cults; or to become engrossed in conspiracy theories as a comforting alt-reality; or to lose yourself in virtual reality environments like Facebook or video games; or to heal what is wrong by self-sacrificing to aid the world and help others; or to immerse yourself  completely in the real world, like work, job, bank account, and hard, cold facts no matter what ...

Part of resolving 'what is wrong' with the world involves reconsidering the art of perception and self-perception in the turbulent times of the nascent surveillance state.

So how should we define ourselves? As we see ourselves, as others see us, or as technology sees us? The conventional self-help wisdom these days is to define ourselves from the inside out, not the outside in. We are counseled to know ourselves, and to go forth in the world in an authentic and grounded way.

The Limits of Consciousness

Your brain hallucinates your conscious reality | Anil Seth (18 July 2017). Video Source: Youtube.

Good luck with that! Before you can get past the social contract, the job, the expectations, the cv - before you can tame your ego and become a soulful human being through internal consciousness and then try to awaken beyond consciousness - and before you can even get to the fact that computers are constantly undermining that process - there is another problem.

Consciousness -- the final frontier | Dada Gunamuktananda | TEDxNoosa 2014 (16 April 2014). Video Source: Youtube.

The True Mirror

We almost never see ourselves accurately, at least physically. Because we primarily have used mirrors to see ourselves, we do not see ourselves correctly, nor do we know how others see us.

Robbie Burns Day just passed, and the great Scottish poet wrote in his 1786 poem, To a Louse:
"in the original Scottish, 'O wad some Power the giftie gie us, to see oursels as ithers see us!' Or, in modern English, 'Oh would some Power the gift give us, to see ourselves as others see us.'"

Sunday, November 5, 2017

The Irony of Anonymity


Image Source: Alamy.

Today is the 5th of November, and so the blog is devoted to the Million Mask March and snapshots of the Guy Fawkes mask from Alan Moore's V for Vendetta, which has become a worldwide symbol of hacktivism.

Last year, a variation of the mask was sold by Venetian maskmakers, joining the medieval with the Millennial. The Mascherade confirms that, in Venice, the mask freed people from the strictures on social identity:
"Venetian masks are a centuries-old tradition of Venice, Italy. The masks are typically worn during the ... Carnival of Venice ... but have been used on many other occasions in the past, usually as a device for hiding the wearer's identity and social status. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters."
One blog, Licence to Mask, examines this old Venetian idea, proving that anonymity is not new; that blog also connects the Bauta mask to today's anonymity on the Internet:
"The mask was standardized and its use was regulated by government to give Venetian citizens the freedom to do business, to pursue interests on their own and to take part in political activities without being identified while still being recognized and respected as legitimate and honorable members of the Venetian society.

I would like to find out if this concept could be a paradigm for internet identity management and anonymity concepts."
Of course, Bauta masks figured prominently in Stanley Kubrick's Eyes Wide Shut, which is based on Arthur Schnitzler's Traumroman (Dream Story). Kubrick's film fueled conspiracists' speculations about the Illuminati. It is supremely ironic that the anti-establishment online movement is masked as well, and using the same principle of anonymity that the current western establishment employed when it was in its youth, at the onset of the modern era.

Image Source: Licence to Mask.

Tuesday, April 18, 2017

You Can't Go Home Again: DC Judas Contract Review


Still from Teen Titans: The Judas Contract (2017) © DC/Warner. Reproduced non-commercially under Fair Use. Image Source: The Good Men Project.

Some of the most popular posts I ever wrote on this blog took me back to the summer before I left home for the first time to go away to school. I was 14. In that period before first independence, I read DC Comics' The Judas Contract. This is a story about a 16-year-old girl, Tara Markov, who tries to kill her boyfriend and friends to please a much older man with whom she is having sex. When she fails, she kills herself.

Thursday, August 25, 2016

Image of the Day: Godzilla: Rage Across Time


Image Source: Nerdist.

Now trending on Twitter, THAT is a comic book cover! This is IDW's Godzilla: Rage Across Time #1, written by Jeremy Robinson, with art by Matt Frank, published 24 August 2016. The book sees the giant lizard transported to different time periods, and is getting rave reviews from sites such as The Moon is a Dead World. Outright Geekery explains how a 1950s' nuclear monster has traveled in this first issue back to the 13th century:
"In 1954 Ishiro Honda unleashed his atom bomb allegory Gojira on the world. In the sixty years that followed the titular character of that terrifying monster-noir has been many things; archetypal force of nature, protector of children, even a militant environmentalist (Gojira vs Hedorah aka Godzilla vs The Smog Monster). ... Beyond all of that however, the irrepressible king of all daikaiju has become a beloved international cultural icon. In his homeland, the big guy has become something akin to a traditional folktale.

It is this aspect of Godzilla that is at the forefront of this first issue of IDW’s Godzilla Rage Across Time. A new mini-series that puts everyone’s favorite radioactive giant badass lizard into various historic periods. ... [In the first issue,] writer Jeremy Robinson and artist Matt Frank ... set this first installment in the land of Godzilla’s birth during the first Mongol invasion of 1274.

Kublai Khan’s horde, along with two evil kaiju, have arrived at Hakata Bay under the command of 'Dragon Master' Zhenjin Khan. Two feuding heroes, samurai Gorou Suda and ninja Akio of the Bamboo Forest must go on a quest to save Japan by awakening a mighty champion who will vanquish the invaders."
Godzilla: Rage Across Time #1 (page 1) © IDW. Click to enlarge. Image Source: deviantART. Full opening page preview at SciFi Japan.

See all my posts on Nuclear topics.
See all my posts on Time Travel.
Click here for my posts on Comics.

Thursday, July 28, 2016

Mind and Government, Terror and Ideology: Reframed


1907 photograph of an 1872 Leon Berger model guillotine, stored with its body basket. The photograph was reproduced by someone who currently makes historic replicas of guillotines. There had to be someone out there doing this. Oddly, there is more than one. Some people make mini-guillotines as a side hobby. The 1792 French Revolution guillotine mini-model plans are offered to aspiring carpenters on the Internet for USD $38, here. The finished mini-model (perfect for your back yard?) is here; the full-sized 1792 model, five times larger, built from the same plans for a Belgian museum, is here. Image Source: Bois de Justice.

This post was written before the terrorist attacks in Nice (14 July 2016) and Saint-Etienne-du-Rouvray (26 July 2016). With regard to those attacks, no disrespect is intended in discussing today's anniversary of the end of the Terror during the French Revolution. To be clear, although this analysis runs up to the present, it does not source radical Islamic terrorism in the western political system. I would argue that jihadism has its own specific origins, although it ironically mirrors as nemesis a western concern with the relationship between fear and control in psychology and politics.

This post on politics is the second of three on how perceived understanding or framing of reality diverges from hard facts, and creates problems in the historical narrative. I have a theory that when human beings build governments and devise theories of government, they project outwardly their awareness of the inner structure of the human psyche. That is, when we build and control society in the outer world, we embed how we think, perceive and feel into those constructions. And if there are parts of ourselves we would rather not face, we embed the suppression, too.

On a basic level, it makes sense. We fear our capacity for savagery and bloodshed, and know that the hell-pit at the dark end of the behavioural spectrum is something we ought to avoid. That is why the idea of climbing toward something higher through renewed social order is so appealing. The initial drive begins with a justified fear of the demons inside us and a moral journey to find the "better angels of our nature."

The French Revolution presents a powerful example of that journey and its challenges. Today marks the 222nd anniversary of the end of the Terror (6 September 1793 - 28 July 1794), a period of mass execution of enemies of the Revolution. It is ironic that 'terror' - described today as the greatest nemesis of global civilization - played a critical part of the establishment of modern western politics. Although there were revolutionary precursors in England and America, the founding moment began with the French Revolution. Everything we take for granted, from left-wing and right-wing politics, to the basic rights of human beings, was most clearly expressed there.

Today's post reconsiders the circumstances in which the west's current political ideologies developed, to see how the story of rational modern politics diverged from its reality. The French Revolution came dressed in the rhetoric of liberty, equality and fraternity, respectively sources of liberalism, socialism and nationalism. Revolutionaries changed how we measure time, months, hours, days. 18th century perceptions of time were different from post-revolutionary modern ones. The revolutionaries standardized weights and measures - previously a privilege of the nobility - with the creation of the metric system. They developed the modern media in their propaganda. They overturned a corrupt and bankrupt absolutist monarchical system, a privileged nobility and aristocracy, and a dominant clergy.

They did it through a commitment to rationalism. 1789's Tennis Court Oath was a pledge to develop a constitution, made in the spirit of earlier writings from the empiricist political philosopher and father of modern liberalism, John Locke (1632-1704). Locke's plan for government derived from his view of psychology. With his certainty that the mind was a tabula rasa, Locke insisted on experiential and logical systems of governance. He espoused the natural rights of man, of life, liberty, and property. He protected those innate values was through the social contract, imposed from outside upon the consenting individual in an embrace of nuture over nature. But starting with man's natural rights, he maintained that no one is innately superior to anyone else. He removed God and superstition from human politics, government and law, by stating that all men were divinely appointed to their state in nature. There was no divine right of kings: all people are equal.

From that natural and secular socialist equality, Locke derived fraternity and liberty as human beings left the pure state of nature and entered the body politic. As far as fraternity was concerned, toleration depended on having sufficiently enlightened, educated and morally informed citizens, who understood that some surrender of liberty was necessary to maintain a commonwealth. That social contract, if properly ordered, would clearly broadcast the principles and preconditions of mutual tolerance inside a nation. Within those non-totalitarian bounds, liberal citizens were free.

Locke influenced the French philosophes, notably Voltaire (1694-1778) and Jean-Jacques Rousseau (1712-1778). Further principles of liberty and separate powers came from other Enlightenment thinkers such as Montesquieu (1689-1755) to form the familiar 18th century values of the American constitution and the French Revolution. These thinkers drew the line between a divine source for the unified Church and State in absolutist monarchical systems and enlightened, secular, humanist, rationalist, democratic republics, with a separated Church and State. According to Montesquieu, there were underlying collective psychological trends in political development toward victory or defeat. Different types of government used varying core principles to drive those trends. The transition from monarchy to republic marked a shift in principles from honour to public virtue. But what must be avoided above all was a loss of liberty through fear. Wiki:
"[T]here were three main forms of government, each supported by a social 'principle': monarchies (free governments headed by a hereditary figure, e.g. king, queen, emperor), which rely on the principle of honor; republics (free governments headed by popularly elected leaders), which rely on the principle of virtue; and despotisms (enslaved governments headed by dictators), which rely on fear."
Thus, removing God from everyday government had created an interesting philosophical gap in the conception of modern politics. The unknown and unknowable had to be understood in new rational ways, or they would give rise to fear and dictatorship. In Some Thoughts Concerning Education (1693), Locke cautioned against raising children by intimidating them with fear. He warned against servants filling children's heads with fear of the dark, or goblins and monsters. Infantile superstition and threats bred subjection in grown men:
"Such bug-bear thoughts once got into the tender minds of children, and being set on with a strong impression from the dread that accompanies such apprehensions, sink deep, and fasten themselves so as not easily, if ever, to be got out again; and whilst they are there, frequently haunt them with strange visions, making children dastards when alone, and afraid of their shadows and darkness all their lives after. I have had those complain to me, when men, who had been thus used when young; that though their reason corrected the wrong ideas they had taken in, and they were satisfied that there was no cause to fear invisible beings more in the dark than in the light, yet that these notions were apt still upon any occasion to start up first in their prepossessed fancies, and not to be removed without some pains. ...

And to let you see how lasting and frightful images are, that take place in the mind early, I shall here tell you a pretty remarkable but true story. There was in a town in the west a man of a disturbed brain, whom the boys used to teaze when he came in their way: this fellow one day seeing in the street one of those lads, that used to vex him, stepped into a cutler’s shop he was near, and there seizing on a naked sword, made after the boy; who seeing him coming so armed, betook himself to his feet, and ran for his life, and by good luck had strength and heels enough to reach his father’s house before the mad-man could get up to him. The door was only latch’d; and when he had the latch in his hand, he turn’d about his head, to see how near his pursuer was, who was at the entrance of the porch, with his sword up ready to strike; and he had just time to get in, and clap to the door to avoid the blow, which, though his body escaped, his mind did not. This frightening idea made so deep an impression there, that it lasted many years, if not all his life after. For, telling this story when he was a man, he said, that after that time till then, he never went in at that door (that he could remember) at any time without looking back, whatever business he had in his head, or how little soever before he came thither he thought of this mad-man."
Locke's rational suppression, denial and dismissal of fear remained a weak alternative to the absolutist monarch's God. Given his denial of a priori knowledge and insistence on a posteriori knowledge, Locke faced the dilemmas of the rationalist, locked inside his own mind, guided only by his sense impressions of the world. Locke did consider what lay beyond empirical experience. In chapter 27 of An Essay Concerning Human Understanding (1689), he argued that worldly identity depended on an eternal, immaterial soul, incarnated in a physical body in the real world. In one example, that notion led him to suggest that a human being's worldly personal identity was distinct from the soul's consciousness. Worldly personality did not extend beyond the individual's rational thoughts, memories and life experiences. An eternal soul would have had past human lives, but a temporal individual personality housing that soul would have no memory of those past lives. In other words, Locke admitted that there were things beyond a posteriori awareness, but we have no rational access to them. Our only access to consciousness when building our personal identities would be through real life experiences and the memory of real life experiences. And that was the rock on which modern political order must be built.

However, when it came time to build the rational project during the French Revolution, to bring down the absolutist monarchy and remove God from government, the unknown manifested in the undertaking, in the form of the irrational element of fear. The rationalization of western politics depended on the Terror, on force as an instrument of fear to impress conformity to those ideals. Modern politics sealed a commitment to high intentions, rejected superstition and hereditary inequality; but it did so through mass intimidation and mass killing. From a psychological point of view, this means that when we strive toward highest purpose, we are still enmeshed in lowest impulses. The history of the French Revolution reflects a conscious-unconscious duality, as western political ideals emerged from bloodshed. The complete formula of the French Revolution would have been: liberty, equality, fraternity - and terror.

Wednesday, April 20, 2016

Rickrolling ISIS


Image Source: Academia Obscura.

In 2007, a bait-and-switch meme started on the Internet that tricked users into watching Rick Astley's 1987 hit Never Gonna Give You Up (hear it here). The meme is called 'Rickrolling' and while it has brought Astley back into the spotlight, by August 2015 he had earned only $12 from the prank because he has performer's rights to the song; profits from Rickrolling went to the very fortunate song-writing trio, Stock Aitken Waterman. Astley remains sanguine: "Listen, I just think it’s bizarre and funny. My main consideration is that my daughter doesn’t get embarrassed about it." Above, from Academia Obscura, a student's physics paper on Niels Bohr. Bohr, the 1922 Nobel Prize winner in Physics, modeled the atom in the 1920s, helped refugees flee the Nazis in the 1930s, worked at the Manhattan Project in the 1940s, and helped establish CERN in the 1950s.

Anonymous cyber-revenge campaign after the 13 November 2015 Paris attacks. Video Source: RT via Youtube.

The Young Turks opinion on Anonymous campaign against ISIS (16 November 2015). Video Source: Youtube.

The Rickrolling meme is resilient. A day after the Paris attacks on 14 November 2015, Anonymous began to spam and troll Twitter users with pro-ISIS terrorist hashtags by diverting their traffic to Rick Astley's video. This Rickrolling performs as a type of data-mining, in which Anonymous hackers keep track of those diverted to the video and mark them for cyber-attacks. The hackers use social media information to steal ISIS Bitcoin cryptocurrency holdings and they attack them on the Dark Net. They renewed this effort after the Brussels attacks on 22 March 2016. This is the hackers' reverse humour against ISIS operatives and sympathizers: never gonna give you up.

However, as I have commented before on this blog, it would be naïve to imagine Anonymous as purely heroic actors, after one has had a taste of their New World Order and World War III conspiracy theories, here, here, here and here. The campaigns against ISIS are related to Anonymous cyber-attacks on the Belgian government under hashtag #DownSecBelgium. On their announcement that they will rally at Place de la Concorde in Paris, France on 10 June 2016, one Youtuber was skeptical: "rien à voire avec Anonymous, c'est un fake."

Anonymous hacker campaign announced in French against ISIS one day after the Paris attacks (14 November 2015). Video Source: Youtube.

Anonymous hacker campaign announced in French against ISIS on the same day as the Brussels attacks (22 March 2016). Video Source: Youtube.

Friday, April 15, 2016

The Canals of Earth


A great cover for Martian Comics #5 (2016) with art by David A. Frizell is a homage to the classic film, A Voyage to the Moon (1902). Image Source: Martian Lit.

See images today from a Kickstarter campaign for a comic book about Martians' view of Earth, The Canals of Earth!
"Humans have long looked to the sky and wondered about Mars. What if someone was looking back? The Canals of Earth is the story of how Mars sees Earth, running from Martian prehistory to its space age. We begin in Martian prehistory, when Martians looked to the skies and imagined Earth as a goddess. We see some of the Martian mythology about Earth, tied to the invention of writing. We then see Martian science-fiction, in which they imagined aliens in their own image."
This comic, fifth in the series Martian Comics (2014-present; details here) is written by Julian Darius, with art by Mansjur Daman and colours by Diego Rodriguez. Darius has a doctorate in English Literature and founded the Sequart Organization, which promotes sequential artwork in graphic novels and comic books as a legitimate art form. You can still support the Canals of Earth project here until 27 April 2016.

While the imagery of the comic's cover is taken from the turn-of-the-century French film, A Voyage to the Moon (see it below), the book's title is taken from late 19th century studies that there were canals on Mars, based on observations of the Red Planet by astronomers Giovanni Schiaparelli (1835-1910), Percival Lowell (1855-1916), and Charles E. Burton (1846-1882).

First page (click to enlarge). Image Source: Martian Lit.

Martian Comics #5. Image Source: Kickstarter.

Kickstarter promo video, Martian Comics #5, The Canals of Earth!

The iconic image of the Man in the Moon from Le Voyage dans la Lune (1902). Image Source: Wiki.

Monday, February 22, 2016

Fifth Dimensional Memory and the Fortress of Solitude


Image Source: engadget.

In the quest to store information permanently, the University of Southampton has developed a memory chip so durable that it will last until after our sun burns out:
Using nanostructured glass, scientists from the University’s Optoelectronics Research Centre (ORC) have developed the recording and retrieval processes of five dimensional (5D) digital data by femtosecond laser writing. ...

Coined as the ‘Superman memory crystal’, as the glass memory has been compared to the “memory crystals” used in the Superman films, the data is recorded via self-assembled nanostructures created in fused quartz. The information encoding is realised in five dimensions: the size and orientation in addition to the three dimensional position of these nanostructures.

Professor Peter Kazansky, from the ORC, says: “It is thrilling to think that we have created the technology to preserve documents and information and store it in space for future generations. This technology can secure the last evidence of our civilisation: all we’ve learnt will not be forgotten.”

The researchers will present their research at the photonics industry's renowned SPIE Photonics West—The International Society for Optical Engineering Conference in San Francisco, USA this week. The invited paper, ‘5D Data Storage by Ultrafast Laser Writing in Glass’ will be presented on Wednesday 17 February [2016]. The team are now looking for industry partners to further develop and commercialise this ground-breaking new technology. Contact Professor Peter Kazansky to find out more. Learn more about the SPIE Photonics West conference and exhibition. Read about the special legacy gift presentation made to UNESCO in celebration of the IYL2015 [International Year of Light and Light-Based Technologies 2015].
In a related report from 17 February 2016, Engadget revealed Southampton's curious mixed impulse toward the ultra-new and ever-permanent:
Researchers at the University of Southampton's Optical Research Center announced on Tuesday that they've perfected a technique that can record data in 5 dimensions and keep it safe for billions of years. The method etches data into a thermally stable disc using femtosecond laser bursts. The storage medium itself holds up to 360 TB per disc, can withstand temperatures up to 1000 degrees C and are estimated to last up to 13.8 billion years at room temperature without degrading.

Each file is comprised of three layers of nanoscale dots. The dots' side and orientations, as well as their position within the three standard dimensions, constitute its five dimensions. These dots change the polarization of light travelling through the disc which is read using a microscope and polarizer.

... In the three years since their first demonstration, they've ... recorded the entirety of the Universal Declaration of Human Rights (UDHR), Newton's Opticks, Magna Carta and Kings James Bible.

"It is thrilling to think that we have created the technology to preserve documents and information and store it in space for future generations," Professor Peter Kazansky from the ORC said in a statement. "This technology can secure the last evidence of our civilisation: all we've learnt will not be forgotten."
To make their research accessible to the public, scientists exploit popular culture and so must not complain when the masses comprehend science with pseudoscientific labels and mystical weirdness. Tagging this memory chip with fifth dimensional capabilities shows the University of Southampton's media-savvy, and they have asked us to respond with one big "quantum wow." Anything in '5D' is incredibly popular right now; it is a pseudoscientific catch phrase, like 2016's anti-ageing creams, which claim to work by altering your DNA. Invoking the fifth dimension in a press release alludes to a gnostic vault up to a supra-spiritual existence. 5D is a loosely-grasped point of perspective, above regular three-dimensional reality and the fourth dimension of spacetime. I have previously alluded to 5D concepts herehere, here and here.

Superman in his polar citadel, the Fortress of Solitude, stocked with memory crystals. Image Source: Superman Homepage.

Southampton's optics researchers do not show much interest in the deeper meaning of durable memory, of what it means to preserve knowledge until after our sun burns out. If they knew anything about the Superman story, they would understand that crystallized memory implies a push beyond the normal human capacity to remember, toward the alienated superhuman, into the moral and physical challenges of permanent isolation.

Tuesday, February 9, 2016

Figures and Fantasies



Congratulations and props to Thomas Haller Buchanan, who crowdfunded USD $19,343 on Kickstarter in January 2015 to publish his book of art and illustrations, Facts. Figures. Fantasies. His book arrived today in the mail. Thom was valiant through the whole huge journey, starting with the funding campaign, when some big backers pulled out at the last minute. On Kickstarter, if you do not meet your goal, you lose all pledges. Other donors stepped in to ensure the campaign was successful and Thom's sketches and personal story as an artist, along with his finished Pre-Raphaelite- and Art-Nouveau-styled works, saw print. This is what the Internet was supposed to be about.

Renpet - Egyptian Goddess of Eternity.

Thom runs the beautiful blog, The Pictorial Arts, which follows the fin-de-siècle style, circa 1890-1930, through the 20th century and into the 21st century. In reading Thom's blog, I have better understood the historical continuity in illustration. Images from 19th century artists like Arthur Rackham and Henry Justice Ford became the dominant visual style in marketing and mass media, and influenced architecture, interior design, automobile design, garden layoutsfashion, magazine ads, calendarscomic book art, cinema, photography, sculptures - and even stylized popular behaviour - up to the present day.  In 2013, I interviewed Thom (here) about an arts and culture journal he is developing. Thom was the second person to become a regular follower of Histories of Things to Come, for which I am most grateful.

Allegory of Conscious Time.


Wednesday, November 25, 2015

Providence


Providence #6 (released 25 November 2015), art by Jacen Burrows. The cover depicts Alumni Hall at Saint Anselm College in Goffstown, New Hampshire, USA. Image Source: Avatar Press. (Hat tip: Facts in the Case.)

The sixth issue of Alan Moore's Providence, which revives the visceral horror of H. P. Lovecraft, hits shops today. I am still recovering after reading the first five issues. It is a harrowing series, in which a post-World War I journalist is lured into a meta-historical New England underworld that is terrifying, disturbing, taboo and disgusting.

Moore often addresses questions long before they enter common consideration. Ironically, this is because of his deeply historical perspective of human nature. In 2006, the Guy Fawkes mask worn by Moore's anarchist terrorist character in his 1980s' comic series V for Vendetta became the face of global hacktivism and later, of the Occupy movement. Moore hails from Northampton and his outlook is partly shaped by that city's fateful support of Parliament against King Charles I during the English Civil War. The Gunpowder Plot in which Fawkes figured in November 1605 prefaced the Civil War (1642-1651). Late last year, Moore finished his magnum opus about Northampton. It is entitled Jerusalemhis final manuscript was sent off to his publisher with a final word count of over one million words. The editors will want him to cut it, but as he put it, "that's not going to happen." He stated the novel is, "longer than the Bible ... and with a better afterlife scenario." Moore confirmed that Jerusalem is a giant meditation on how the arcane world combines a resistance to fate and government; he deals with mathematics, the English Civil War, predestination and Cromwell; and "I realized [it] would [also] be about the development of economic policy, since Isaac Newton was put in charge of the mint." This year, in Providence, Moore has turned from politics to themes relevant in today's struggle against terrorist violence: what we fear and how we deal with it.

Saint Anselm College, Alumni Hall. Image Source: flickr.

Wednesday, July 15, 2015

Bloom County is Back


Image Source: Facebook.

Bloom County, the beloved 1980s' American alt-politics comic strip that out-alted them all has returned after 25 years. Cartoonist Berkeley Breathed announced the return, which may or may not have had something to do with Donald Trump's presidential candidacy, on Facebook on 13 July 2015. Bloom County grew out of a late 1970s' comic, The Academia Waltz, from Breathed's student days and inspired sequels Outland (1989-1995) and Opus (2003-2008).