TIMES, TIME, AND HALF A TIME. A HISTORY OF THE NEW MILLENNIUM.

Comments on a cultural reality between past and future.

This blog describes Metatime in the Posthuman experience, drawn from Sir Isaac Newton's secret work on the future end of times, a tract in which he described Histories of Things to Come. His hidden papers on the occult were auctioned to two private buyers in 1936 at Sotheby's, but were not available for public research until the 1990s.



Showing posts with label Vladimir Nabokov. Show all posts
Showing posts with label Vladimir Nabokov. Show all posts

Tuesday, September 4, 2012

The Silent Generation's Separate Peace


Marilyn Monroe by Andy Warhol (1967). Image Source: Christie's.

From the 1960s onward, alternate histories became very popular with the Baby Boomer demographic. The genre has long precedents - but it has a special place in the last half of the 20th century.**

Most alternate histories imagined by Baby Boomers are dystopian, eerie, fascist and terrifying. These are explorations of 'what could have been' if World War II or another key moment in history had turned out differently, which would have meant that the Boomers themselves would not come along. These stories reassure against generational doubt, and implicitly insist on the rightness of 1968's path. Later books involve Boomer meditations on what-ifs around post WWII events: the Cuban Missile Crisis, the Kennedy assassinations, 9/11.

Given this generational fascination with fictional historical alternatives, it may seem strange that a very real, living alternate history has been ignored or smoothered by the Boomer media. This is so much the case that among generational commentators, that alternative might as well not exist.

There is a real alternate history to the Baby Boomers' 1968 social revolution, and it is the legacy of the Silent generation, born roughly from 1925 to 1945. Silents were dubbed as silent when they were anything but. They created a reality that shared elements of Boomer ideals, but Boomers could not fully appropriate these elements for their radical and iconoclastic ends. If you want to see the Boomers' 'path not traveled,' you have to look at the work and perspectives of the Silent generation.