Time and Politics 23: The New Third Way of Internet Politics

Probably Chelsea (2017) by Heather Dewey-Hagborg and Chelsea Manning. Genetic materials, custom software, thirty 3d prints. Image Source: Joerg Blumtritt. Thanks to Heather Dewey-Hagborg for her press release on the 2 August 2017 opening at the Fridman Gallery in New York City, for the opening of A Becoming Resemblance, a collaborative exhibition with Chelsea E. Manning.

This post is part of a series which considers the impact of Internet leaks, hacks, urban legends, conspiracy theories, and rumours as forms of public discourse. This blog is politically neutral, and my aim here is to step back from left, right, and extremist debates in order to understand how politics is developing in a new environment, informed by online media.

I have a grand theory about current political evolution. Here is the

TL;DR: There are two stances currently merging in political discourses. One is the 20th century paradigm. The other is a 21st century form. It is difficult to understand political change because we are using 20th century terms superficially to describe 21st century trends. Whether left or right, the 20th century paradigm depends on labeling as a mode of organization and control.

The impact of technology makes for a very different 21st century model. Accelerated technology depends on our most visceral responses; its intimate incorporation into our lives and minds creates a political sphere driven by instinct, taboo, fear, projection, confusion, distraction - in short, the shadowy collective unconscious. Thus, we are using highly rationalized and limiting 20th century thought forms to describe the 21st century's exploding unbounded experience and the politicized anti-rational.

In Millennial Eyes 7: Edinburgh in 1544

Virtual Time Binoculars - Edinburgh 1544 from Smart History on Vimeo.
A new academic project has begun to explore the historical teaching potential of virtual reality environments. I have previously blogged on a similar projects concerning history and video game technology with regard to 17th century Netherlands in The Golden Age, and colonial Quebec in I Remember the French Revolution. This is the teaser trail for Virtual Time Binoculars - Edinburgh 1544:

"PREVIEW - TEASER TRAILER

New technology reveals old Edinburgh.

St Andrews research brings 16th Century capital back to life.

The lost townscape of sixteenth-century Edinburgh is being brought back to life by researchers at the University of St Andrews.

The reconstruction is still under construction and will be available on a number of digital platforms (including a mobile app, a 3D virtual experience, and more traditional web-based resources) from 1 May 2017.

'The new digital reconstruction is the first to be created of the sixteenth-century city, and is based on a drawing from 1544 (thought to be the earliest accurate depiction of the capital).'

The technology will be shown for the first time today (16 March 2017) at a special event showcasing the University’s research to industry partners.

The virtual time travel technology – which will be released as an app in May – provides a unique window into the capital around the time of the birth of Mary Queen of Scots.

The technology is the result of a collaboration between St Andrews historians, art historians, computer scientists and University spinout company Smart History. The result is an interactive tour of the capital as it appeared in 1544, just before the city was sacked and burned by an English army led by Edward Seymour, Earl of Hertford.

Dr Bess Rhodes, an expert on sixteenth-century Scottish history who collaborated on the reconstruction, said, 'For the first time visitors and residents can compare the city they know with the capital of James V and Mary Queen of Scots.'

'It has been amazing seeing the recreation of a lost townscape. I hope this project makes the public more aware of the layers in the capital’s history, and furthers understanding of the complex way in which Edinburgh evolved.'

The reconstruction is inspired by a sixteenth-century drawing of Edinburgh made by Richard Lee, an English military engineer who later designed the massive artillery defences at Berwick-upon-Tweed. Lee accompanied the Earl of Hertford’s forces to Edinburgh in 1544, and his drawing is thought to be the first realistic depiction of Scotland’s capital.

The interdisciplinary team of St Andrews researchers supplemented the information from Lee’s plan with archaeological evidence, sixteenth-century written sources, and information about the geography of the modern city, to create an updated reconstruction of Edinburgh.

Dr Rhodes continued, 'The 1540s were a tumultuous period in Edinburgh’s history. In December 1542 King James V of Scotland died, leaving his baby daughter Mary as monarch. Not long after the English King Henry VIII ordered an invasion of Scotland, with the aim of forcing the Scots to accept a proposed betrothal between the infant Mary and his young son (the future Edward VI of England).'

'One of the first major actions in the conflict later known as the "Rough Wooing" was the Earl of Hertford’s attack on Edinburgh in May 1544. Hertford’s forces failed to capture Edinburgh Castle, but set fire to the city, damaging the medieval townscape, before they retreated. Our reconstruction is the first digital representation of Edinburgh at this eventful moment in the capital’s past.'

The new reconstruction gives an overview of the townscape of the entire sixteenth-century city, with a particular focus on the Royal Mile – the historic spine of Edinburgh. The digital development was largely financed by a grant from Innovate UK."

See all my posts in the series, In Millennial Eyes, in which I explore how history and historic themes are viewed from 21st century perspectives.