Today, I am very pleased to interview novelist Dan Vyleta about his 2016 novel, Smoke; the Canadian paperback edition was released in July 2017.
Dan grew up in Germany after his family left Czechoslovakia in the late 1960s. He holds a doctorate in history from King’s College, Cambridge and has written three previous novels, Pavel & I (2008), The Quiet Twin (2011), and The Crooked Maid (2013). The Quiet Twin was shortlisted for the Rogers Writers’ Trust Fiction Prize. The Crooked Maid was a finalist for the Scotiabank Giller Prize and won the 2014 J. I. Segal Award. Dan currently teaches creative writing at the University of Birmingham.
Dan’s novel Smoke is a magical historical story of Victorian England. The novel will remind readers of Charles Dickens, especially Oliver Twist, Hard Times, and Dombey and Son. As with Dickens’s novels, Smoke is a social novel which reaches a conclusion about what is wrong in society and what is right.
There is a contrast between the country and the city during the Industrial Revolution, reminiscent of Blake’s “dark Satanic mills,” except in this novel, the Victorian smoke in question comes not from factories but from people! Smoke begins at an élite school, with nods to later works: The Catcher in the Rye, A Separate Peace, and The Secret History.
There, the similarities with other authors end. Smoke begins with a quote from Dombey and Son (1848) – what if sin was visible?
In Smoke, a fictionalized Victorian concern for morality conceals today’s obsession with transparency, truth, and corruption. As with other 21st century works, the historical setting really addresses Millennial problems. And the way Vyleta does this defies all expectations.“Those who study the physical sciences, and bring them to bear upon the health of Man, tell us that if the noxious particles that rise from the vitiated air were palpable to the sight, we should see them lowering in a dense black cloud above such haunts, and rolling slowly on to corrupt the better portion of a town. But if the moral pestilence that rises with them … could be made discernible too, how terrible the revelation!”
Note: All page references below are from the UK 2016 hardcover edition, published by Doubleday.