HISTORIES OF THINGS TO COME: Next Gen Prophet

Next Gen/Prophet by Office courtesy of DMT Tapes FL (2015). Video Source: Youtube.

Yesterday, I went into a shop where there was a vinyl LP record player used as a prop; it was playing an early Van Morrison album that I have not heard in - a long time. The saleswoman told me her daughter, who is in her twenties, has never seen a vinyl record player and couldn't figure out how to turn it on. The record player was brand new, because vinyl LPs from the 1960s to the 1980s are back in fashion. From DMT Tapes FL, here is a track from the digital album: Compositions for Abandoned Shopping Malls (16 May 2015; Hat tip: Dan Bell). This retro-1980s electronic music is tagged alternative vaporwave / florida ambient / future funk / outsider ambient. Wiki:

"Vaporwave (or vapourwave) is a music genre and art movement that emerged in the early 2010s among Internet communities. It is characterized by a nostalgic or surrealist fascination with retro cultural aesthetics (typically of the 1980s, 1990s, and early-mid 2000s), entertainment technology, consumer culture and advertising, and styles of corporate and popular music such as lounge, smooth jazz and elevator music. Musical sampling is prevalent within the genre, with samples often pitched, layered or altered in classic chopped and screwed style. Central to the style is often a critical or satirical preoccupation with consumer capitalism, popular culture, and new-age tropes. ...

Music educator Grafton Tanner argued in his 2016 book Babbling Corpse: Vaporwave and the Commodification of Ghosts that 'Vaporwave is one artistic style that seeks to rearrange our relationship with electronic media by forcing us to recognize the unfamiliarity of ubiquitous technology.' He goes on in saying: 'Vaporwave is the music of non-times and non-places because it is skeptical of what consumer culture has done to time and space.' In his 2016 review of Hologram Plaza by Disconscious, an album in the mallsoft subgenre of vaporwave, Dylan Kilby of Sunbleach Media stated that '[t]he origins of mallsoft lie in the earliest explorations of vaporwave, where the concept of malls as large, soulless spaces of consumerism were evoked in some practitioner's utilization of vaporwave as a means for exploring the social ramifications of capitalism and globalization,' but that such an approach 'has largely petered out in the last few years in favor of pure sonic exploration/expression.'"