Horror has a philosophical side. Western horror stories are usually social commentaries, not that different from morality plays of the middle ages. A regular at
Scans Daily remarked: "a lot of horror ... raises the question of 'Who is the
real sick man ... in this so-called society?'"
In Asia, there is a
greater sense of continuity between non-being, being and death, so
hungry ghost stories often involve reincarnation or karma (see related posts
here and
here). You can find no better blend of eastern and western traditions than the ghost stories of
Lafcadio Hearn (1850-1904), an American who lived in Japan. I have previously mentioned his 1899 collection of ghost stories (which you can read online
here) in
this post.
Sometimes, the bridge between different human traditions is a non-human perspective. Other creatures bear witness on the other world, or afterlife, or the paranormal world beyond our senses.
Youtube has many videos made by
dog owners who claim that their dog can see a ghost.
Lafcadio Hearn came to the conclusion that domesticated creatures' lives are so intertwined with human lives that they, with their fundamentally different ways of being, mirror some of the things we cannot understand about ourselves and our existence. These creatures are so tied to us that they mirror these hidden truths within the human space. Our pets also perceive some of the things we cannot usually sense - including, in Hearn's view, ghosts.
The alien familiarity of silkworm moths (Bombyx mori); cultivated for over 5,000 years in China (possibly since the end of the Neolithic Age) to produce silk, the insects no longer exist in the wild. They can't fly and are completely dependent on humans in order to eat and survive. Image Source: Science Image.
If you don't want to read Hearn's stories, you can hear them below the jump. They have been prepared as an audiobook by
LibriVox recordings. It is not shock or gore and can seem dry, but if you have time to listen to this video,
In Ghostly Japan conveys the real meaning of horror. Hearn ponders mundane subjects, then veers off into horror, relating it to life's greatest mysteries and philosophical questions in a mind-blowing, sometimes very scary way.