The Justice Society of America, the first team of superheroes in comic book history, drawn by Alex Ross. (Hat tip: It's a Dan's World.)
I've written before about comic book superheroes as ancient gods that still survive in our culture. They represent our most enduring grasp of right and wrong, the archetypes that come to us across the ages (see my post on Ur-memory of those ideas here), incredibly across thousands, perhaps even millions of years. Looking at Green Lantern on a lunchbox or backpack, that seems an absurd assertion. Perhaps we tolerate this pantheon of pagan deities in an era of mainstream Millennial religions precisely because the ancient gods have dwindled down to figures in comic mythologies that we tell children and youths; and these myths are not taken that seriously.
Yet the archetypes embedded here still have weight. They also constitute serious commercial interests. That raises the question of why these archetypes over the past twenty years, and especially in the last ten (when DC has been under Dan Didio's leadership), have been undermined? Why is DC Comics, the original classic superhero comics company, so preoccupied with the breakdown of heroes and heroism? Why are their heroes dying? Why are their characters being wiped from existence or rebooted in ways that taint them? What does it mean when their core values are stripped from them? Why are they being benched and sidelined? And why are the Outsiders, classic Titans, Justice Society, and Doom Patrol the key casualties in this reboot? I've commented on the JLA-centric generational and Bat-commercial aspects of the reboot which left the JSA, Doom Patrol and Titans out in the cold here; and my posts on what the Titans and Doom Patrol signify are here and here. There's a good series of posts this week on what fans are losing as the DCU dies, over at It's a Dan's World (here).