Image Source: pinterest.
On Christmas Eve, the American actor Kevin Spacey posted a sociopathic video, entitled KTWK, on Youtube. He appeared in character as House of Cards' Jack Underwood and uttered veiled threats at unnamed nemeses.
KTWK (24 December 2019). Video Source: Youtube.
Kill Them With Kindness
Let Me Be Frank (24 December 2018). Video Source: Youtube.
Since late 2017, over thirty people have made allegations that Spacey sexually groped them - and worse - in incidents running back thirty years. Thus far, one of those accusers has dropped his suit. Three of those claimants have died mysteriously, including one by suicide on Christmas Day 2019, the day after Spacey posted his video.
Ari Behn with his final book, Inferno (2018). Image Source: Svensk Dam.
This most recent death was the highest profile suicide(d) accuser, Ari Behn, ex-husband of Norwegian Princess Märtha Louise. Behn was the son of two Waldorf School teachers, and there is unconfirmed gossip that he became close friends with the leader of the OTO in Norway, Simen Midgard. Through Midgard, Behn was immersed in the most extreme circles of the Scandinavian occult scene. Midgard is purportedly a leading authority on Aleister Crowley in Scandinavia. I am not sure that is his real last name, since in Germanic and Norse mythology, Midgard was our realm, the material world poised between heaven and hell.
Incidentally, Behn's ex, Princess Märtha Louise, describes herself as a clairvoyant and co-founded a school in Norway whose members (including the princess) talked to angels. She is now dating a sixth generation shaman who is based in Los Angeles named Durek Verrett. You can check out Shaman Durek's Instagram feed, here. Shaman Durek and Princess Märtha Louise recently talked to People Magazine about their spiritual love, their twin flame relationship, and their mystical powers. Meanwhile, further compounding this picture, Princess Märtha Louise's sister-in-law, Crown Princess Mette-Marit, was found to have been connected with Jeffrey Epstein several times between 2011 and 2013; she apologized for that earlier this month. You can read speculation on why she would talk to Epstein, here.
Princess Märtha Louise, Gwyneth Paltrow, and Shaman Durek in 2019. Image Source: Princess Märtha Louise / Instagram via People.
Shaman Durek's book. Image Source: Peter Zambouros / People.
Spirit Hacking with Shaman Durek (10 June 2019). Video Source: Youtube.
The Norwegian royals' occult saga is only one tiny part of the bizarre background on the Spacey scandal. In his 2019 Christmas Eve video, similar to an offering from exactly one year before, Spacey spoke in character while he kept a metal poker in a fire, and said he was "grateful to have his health back" and that as far as his enemies were concerned, he/Frank would "kill them with kindness." Spacey allowed the news cycle the next day, and commenters on social media, to break his fourth wall, as the public heard that Behn had died. "Dude," one Youtuber wrote under his video, "stop killing people." Another wrote: "At this point, I wouldn’t be surprised to learn that Kevin has privately funded para-military force and a secret base located inside an active volcano at his disposal." Yet another reinterpreted the video's title anagram as: Kevin The Witnesses Killer.
These grim coincidences make it look like Spacey is having his accusers killed off and is protected enough to evade justice. The actor's background hints that the ruthless fictional characters he plays may reflect his nature more than the persona he projects to the public when not acting.
Spacey's father. Image Source: New Zealand Herald.
According to his brother and several accusers, as well as his documented connections with Jeffrey Epstein, Kevin Spacey has a fund of dark experiences from which to draw. Spacey's father, Thomas Geoffrey Fowler, was allegedly a member of the American Nazi Party, who repeatedly raped and beat Spacey's older brother, Randall, and was so frightening that the two boys and their eldest sister, Julie, called him 'the Creature.' The children were not allowed to have friends visit them, since their father covered the walls of his office with male and female pornography. Thomas also sexually abused a teen-aged female relative. Julie ran away from the Fowler home when she was 18 years old. Randall believes that Kevin has followed in their father's footsteps. Spacey has not commented on his brother's allegations, so we have not heard the actor's side of this story.
Randall maintains that this terrible background made Spacey a superb actor:
"Kevin turned to acting as a little kid. He ditched the name Fowler and created the character of Kevin Spacey to mask a monster. It helped him hide from his demons. He struggled with his sexuality, always denying he was gay. On stage he pretended to be somebody else. It gave him power, transformed him. ... His fans love the sinister characters he plays, but he’s not acting, that’s really him. He hid behind his acting career to maintain a secret sordid life and in reality he was a monster. I’ve long suspected there was a dark side to him. I just hope he gets the help he needs so nobody else is harmed by him."
Randall with Kevin. Image Source: The Sun.
Randall commented on the allegations which Spacey now confronts. The Sun reported:
"In February 2019 Randy told The Sun he was worried Spacey would take his own life, and urged him to admit his 'guilt' and 'take his punishment'. He said: 'You’d be surprised what people will do when they’re faced with the truth and they can’t deal with it. All your money isn’t going to cure your damaged soul.'"
Flight logs from Epstein's plane show Kevin Spacey traveling with Bill Clinton and Epstein to Africa in 2002. Image Source: Twitter.
This insanity also circles back to Jeffrey Epstein, who emerges as an intelligence asset with blackmail files on many important people. As with Prince Andrew, so with Spacey and the Norwegian royals, Epstein and his handler Ghislaine Maxwell exploited the secret weaknesses of luminaries to meet larger intelligence goals. It is hard to determine Epstein's intelligence agency affiliation; the Americans, the British, the Russians, and the Israelis are all possibilities. The BBC reported yesterday that the FBI are now investigating Maxwell's involvement in these dealings.
Epstein and Maxwell may have exploited their targets too well, and the blackmail operations may have gotten out of hand. There are unproven claims on the Internet that Spacey was so out of control on Epstein's island that the latter asked him to leave, because he feared that the actor would murder young sex slaves there.
The most jaded conspiracy theorists claim murder not only did happen on Epstein's properties, it was common trade and no taboo in the basement of Epstein's fake temple on Little Saint James Island. There is talk that video footage of what transpired there, with famous people's faces plainly visible, is in the hands of American authorities; or perhaps this evidence lies with a former Florida police officer who now lives in Russia; or it is in some intelligence agency's vaults. The Youtuber Shaun Attwood has followed this mess thoroughly; his channel is here.
The Fourth Wall
Spacey is bringing his acting skills to bear in a pathological self-defence that blurs fiction, secret truths, and fake official reality. He is letting the Internet fill in the blanks for him. Social media will break the fourth wall of his Youtube videos for him.
In the theatre, the fourth wall refers to stage sets. There is the backdrop, left stage set wall, right stage set wall, and the invisible fourth wall, imagined as standing between actors and audience. These walls encase the characters inside a fictional world. The actors are supposed to disappear behind the characters.
The fourth wall is a lie told to maintain the integrity of fiction. The fourth wall is broken when the characters talk directly to the audience, either as characters, or when they refer to themselves as actors. Breaking the fourth wall is a truth told to reveal the artistic mirror of our own lives. The drama is encased inside the larger, real universe of the audience. The dramatic arts contain this gnostic element: they tell us that there is a higher drama in the audience, and another one above it, and another, and another. The fictional characters, followed by the audience and actors, catch glimpses of these larger orders from time to time, in what is called medium awareness.
Breaking the fourth wall was one of the conventions used in the original British source material for the American Netflix show, House of Cards. The British show of the same name warned against the dangers of political power, and was based on post-Thatcher British politics, as well as Shakespeare's plays Macbeth and Richard III.
In a 2018 talk on how Shakespeare broke the fourth wall, Professor Geoff Klock explained that the fourth wall also depends on the audience lying to themselves. The actors are lying, but the audience is indulging willing suspension of disbelief in order to become immersed in the fiction. Klock acknowledged that breaking the fourth wall is normally a comedic trope, when the actor winks at the audience, and gets a laugh by indicating that we are all pretending to believe in his or her character's mishaps. Sometimes in comedy, the characters remove the fourth wall completely, and begin criticizing the author's production schedule, or the fact that they can't believe they are in this drama or cartoon and how terrible it is. There is a spectrum of breaking the fourth wall: TV Tropes has a complete list of tropes which do this to varying degrees.
This is a very different matter from breaking the fourth wall in thrillers, horror, or tragedy. One could argue that this is what Spacey is doing by releasing his Christmas videos on social media while in the midst of real scandal.
Klock observes that when serious dramas break the fourth wall, they are communicating mortal considerations to the audience. Shakespeare's Hamlet repeatedly makes meta-theatrical asides which indicate the character's suspicion that he is actually a fictional person inside a play. In tragedies, breaking the fourth wall refers to death, because the ego, which creates fictions about who an individual is, is shattered. In Macbeth, Klock notes that at the moment Lady Macbeth dies in Act V, Scene 5, Macbeth laments her passing by recognizing that she was part of a play, after all:
"Tomorrow, and tomorrow, and tomorrow,In other words, you die at the moment you realize your truth is a fiction, trapped inside someone else's larger truth. After that moment, the awakened individual suffers an ego death. Destruction of the ego can end in suicide, because the ego associates itself with the physical survival of the individual. The awakened individual - whether alive or dead - then joins the netherverse of the collective unconscious.
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing."
Levels of Awareness
Thus, the fourth wall is one of the main tropes in the dramatic arts which point to our consciousness of reality, whether here in the mundane 3D space, or at higher or lower levels. Spacey's Christmas Eve stunts in 2018 and 2019 toy with those levels of awareness. He can hide behind a fiction to tell his truth. And he can use fiction as an alibi.
This same defense appeared in the 1992 film, Basic Instinct. Sharon Stone played a writer who describes a series of murders in her novels. When people around her die in the same way, she defends herself by saying that artists deal solely in fiction, not reality, and she would be stupid to incriminate herself. You can see the famous scene, here.
In Spacey's case, this subterfuge could be a sociopathic confession. The cognitive dissonance of the fictional-true confession is offloaded onto online trolls and conspiracy theorists, who dare to erase the line between fiction and truth by saying: KTWK is a real confession.
Kevin Spacey now appears to be cornered by over a dozen accusers. But he is also one of the most talented performers on the planet and a former artistic director of the Old Vic. Never mind his possible victims! If he decides to mess with our reality, and sets up circumstances where we are breaking his fourth wall for him, we should all be worried.
House of Cards was already breaking the fourth wall by posing as a drama, when Bill Clinton claimed it was more of a documentary. In season 5 (30 May 2017), House of Cards portrayed a fictional version of a real private political club north of San Francisco, the Bohemian Grove. In the drama, it was called Elysian Fields. I have previously blogged about this secret society and their annual ritual, the Cremation of Care, here.
The fiction: House of Cards Elysian Fields (Bohemian Grove) (7 March 2019). Video Source: Youtube.
The Cremation of Care involves elite members' worship of the Owl of Bohemia in a Californian redwood forest. Exposed by the populist media personality Alex Jones in 2000, who slipped into the gathering and filmed it (below), the ritual involves the burning away of the consciences of those who must make brutal and immoral decisions as they run politics, businesses, and society in the coming year.
The reality: main owl-worship ritual clip from Dark Secrets Inside Bohemian Grove (2000). Video Source: Youtube.
In House of Cards, the fictional version of the event turned the owl into a crow. This obscures the symbolism of the bird. In reality, an owl is adored at Bohemian Grove because of its ability to see in the darkness. Unlike normal, sleeping citizens, the members of the Bohemia Grove are awakened and see the truth about how the world is run. They can handle the shocks and they will abuse the system if they must. They are not bothered by pangs of conscience. The veil is pulled from their eyes, and on those bases, they claim their power.
American and Canadian leaders do not just celebrate the erasure of their consciences with the Cremation of Care. They also worship Moloch. But what is Moloch? Jones referred to the Owl of Bohemia as 'Moloch.' This caused confusion because Moloch was the Canaanite bull god of fire.
A standard upright Tree of Life depiction. Image Source: Sun and Roots Jewelry.
In Luciferianism and the shamanic Kabbalah, Moloch is also associated with a fallen angel, Thaumiel. This entity appears at the bottom of the inverted Tree of Death, which depicts hierarchies of evil. Usually, we only see a diagram of the upright tree (Sephiroth / Sefirot), upon which Tarot cards, or diagrams of chakras in the human body, may be superimposed to illustrate stages in spiritual journeys. Normally the Sephiroth is associated with healing, creativity, and positive growth. I have previously blogged about the Tree of Life, here.
Kabbalistic "Tree of life" with the ten Sephiroth and the 22 Hebrew letters as they are presented in the Sefer Yetzirah (Book of Formation). Image Source: Wiki.
You can see what is missing from that diagram in a companion image, below. This is a lesser-known schema of the Jewish mystical Tree of Life and includes the Tree of Death. This dark version depicts what is normally hidden from run-of-the-mill Kabbalistic, magical, New Age, Masonic, and Tarot researchers. The Tree of Life represents the heavenly realms. The Tree of Death (Qliphoth / Kelipot) mirrors Sephiroth in an upside-down world, the hellish realms.
Sometimes, Qliphoth is associated with our own 'world of matter,' which is already considered to be dead. This is why zombie dramas of the 2010s depicted the whole world overrun by the walking dead. We don't realize that that is how we are envisioned in this dark cultish world view. We unawakened souls are the dead, while our illuminated leaders are the ragged band of survivors, the last 'awake' and 'spiritually alive' people, who try to keep civilization running. This is how Luciferians see themselves.
Image Source: pinterest via Adeptinitiates.com.
Both trees have their challenges, their angelic or demonic denizens, and their light or dark rewards. The two trees converge in a conflict zone within our reality (in Norse cosmology, that region is called - Midgard). Those who have spiritually engaged with the deepest point of the Tree of Death, and have attained its most advanced stage of awareness, worship Moloch, also known as Thaumiel. This being arrives in the form of a pair of twin demons, a duality concept that shadows God's unified self.
This system links the spiritual world to the material world by connecting mathematics to letters and language. The number associated with Moloch, or the greatest divided and evil consciousness attainable on the earthly plane, is 864. In some dark schools, this number is also associated with the Kabbalistic Beast, Chioa. You can see it all explained in gruesome detail, here. In numerology, 864 can be reduced to 8 + 10 = 18, or 9, which in Christian circles means death by sacrifice and refers to the hour of Christ's death. If one believes these revelations and obscure texts, one can only conclude that that is what is worshiped at Bohemian Grove by top politicians and business leaders.
Image Source: pinterest.
The End of a Decade of Disillusionment
With 2020 around the corner, it is evident that the 2010s were a decade of disillusionment. Starting with the 2008 recession, popular belief in all public figures - celebrities, the wealthy elite, financiers, corporate leaders, researchers, scientists, media figures, and politicians - broke down under hammer stroke after hammer stroke. It is horribly fitting that Spacey ended this time of shattered illusions by welcoming us to the next level of awareness. He has cast himself as the antagonist in a Christmas sweater, but he is not alone on the stage.
Technology has removed everyone's fourth wall. That means fictional personae can no longer be trotted out as world leaders. Our leaders stare at the audience, and the audience is waking up and staring back. No private space is sacred or concealed. Authorities collect data on what they still consider to be the zombie mob. Whistle-blowers and alt-media researchers have equally probed the lies made by those in power. The lies which once kept the mob pacified now enrage them, because they see through massive abuses and deceptions. Who watches the watchmen? We do. The outcome of this technological mirror game is not yet decided. Will we expose the technocrats before they can cage us inside a police surveillance state?
We need not follow MSM media reports in order to be informed. To be members of a viable body politic, we don't have to believe that politicians speak for us when we know that they are reality TV contestants, who are bought out in the electoral contests from the start. We don't need to buy big corporate gadgets and software when we can work around them. The audience is no longer obliged to keep the dog and pony show running by giving it their confidence and willing suspension of disbelief. The audience is vacating the theatre.
Authority is no longer sacred and believing in the benevolence of our leaders is not now the social obligation of the respectable citizen. Where the code for respectability was once sweeping things under the rug, toeing the party line, and overlooking evident ills, it is increasingly considered more responsible to reveal all, especially when exposing corruption.
More people will wake up and see the real horror behind their comforting dramas of democratic order, civil society, and security. We live in a world far closer to imperial Rome, with savage, cut-throat leaders, supported by tiers of politicians, military, entertainers, and slaves.
We will start to see our individual roles in that greater game. Will you in the 2020s wake up from your 1990s' and 2000s' dreams, to find yourself holding a bloodied knife that is labeled, 'kindness'? Will you wake up and stop favouring labels of goodness that have been peddled to you? Will you recognize actual, tangible good in reality and learn how to create and defend it? Understand that this is not about left and right politics. It is about being asleep or awake. The 2020s will provide opportunities to citizens to act as awakened people, and no longer allow smoke and mirror machinations to govern and impoverish us.
The opportunity equally exists for our leaders, and for all who move to new levels of awareness in this grand theatrical moment. We do not need to accept order underpinned by secret madness. In the new decade, cognitive dissonance will no longer be king.
But while the audience rallies, so do the actors.
As the liars and murderers are exposed, Spacey welcomes us into a larger theatre. He makes it clear that illusionists can pivot too, and vault to the next level. They can weaponize the truth and climb to a new level of menace, power, and control. In TV Tropes' parlance, the 2020s will be a time when 'the Fourth Wall Will Not Protect You.' Even bystanders can die. We will no longer be safe in the role of audience as passive spectators. In the coming decade, the audience will cease to be pawns of the action. Its members will have to take action, and join the play.
Kevin Spacey What You Should Watch Out For? (26 December 2019). Video Source: Youtube.
See all my posts in the series, Awaken the Amnesiacs.
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Very good and timely article. Impressed.
ReplyDeleteThank you for reading, Anon.
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