I have a long-running series on this blog which relates past styles to future sensibilities. It is interesting to see what survives these days for the sake of stylistic nostalgia, past any functional or practical requirements.
Sometimes, the historical stylistic element refers to an old technology, indicating a mental and emotional human lag in the face of exponential innovation.
Today's superb example came from Substack: the 981 Retro Express Wireless, Mechanical Gaming Vintage Typewriter Keyboard (hat tip: Ozarklore). On embarking upon the writing of this post, I was shocked to find that the 'Retrofuturism' series proper hasn't been updated here since 2013. Looking back, I see that the best posts relating to this topic confirm that retro-futurism was a 2010s' trend. It appears that the period from the late 2010s through 2022 dampened historical curiosity in relation to technology. This could be due to intensified political debates and the global pandemic, which dominated popular attention for seven years.
Here are some of my old posts highlighting retro-futuristic 2010s' projects which either did not survive into the 2020s, or may have borne fruit, but their signals got lost in the noise from the early part of this decade. For example, the incredible video game, Gorgoa, demonstrates that even in accelerated environments, real human accomplishments still take years to complete. Perhaps we can take heart in that:
- The Next Tetris: Gorgoa (13 January 2013): an amazing-looking retro-futuristic game that won several awards in 2018 after its 2014 launch.
- Retrofuturism 23: Baby Boomers and Alien Astronauts (10 January 2013): a retrospective on 1960s' and 1970s' spiritual esoteric spiritualism as projected upon space exploration. With Gigi Young's series on Mars Mysteries on Youtube, we see that interest in this topic is still going strong. My work on my new novel serial, Vampire Daddy, falls in the same category (shameless plug). Vampire Daddy not only draws on my earlier discussions of how space exploration relates to religious, spiritual and esoteric topics, but it also refers to other retro-futuristic themes I discussed, such as the Slavonic Gothic, Russian Space Art, and Edgar Rice Burroughs' Mars books from the first decade of the 20th century.
- Shameless plug, continued: as a tribute to Burroughs, I recently did an AI rendering of my characters, Lexi and Primeva, in the style of John Carter and Dejah Thorus, echoing the classic Barsoom renderings of the 1910s, with hints of later 1960s' and 1970s' interpretations, now reworked again in the 2010s and 2020s. Of course, many others have paid homage to Burroughs. Marv Wolfman - whose work I have covered extensively here - wrote a Marvel comic from 1977 to 1979 which expanded on Burroughs' work. There were also a couple of series from Dark Horse and notable Warlord of Mars series from Dynamite, which sparked a lawsuit from the Burroughs' estate. Disney released a troubled adaptation, John Carter, in 2012. Comic Book Treasury put it best, that Burroughs' Barsoom series is "one of the most influential science fiction and fantasy tales of the 20th Century." You can read Burroughs' Mars books here. Librivox recordings are here and here. The Encyclopedia Barsoomia Wiki is here.
Other highlights from my 'Retrofuturism' series (I clearly had trouble deciding on whether or not to hyphenate the term):
- Retrofuturism 19: Last Master of a Martial Art Reborn (16 November 2011): the 17th century Sikh martial art of Shastar Vidya (ਸ਼ਸਤਰ-ਵਿੱਦਿਆ), which frightened the British imperial authorities so much that they banned it, survives in akharas (training gymnasiums) and the tradition is still discussed on the Web.
- Five Fabulous Web Comics You Shouldn't Miss (28 October 2010): sadly, all of these great web comics are no longer running. All died before or during covid. Web comics were enterprises of the late 1990s and early 2000s, which peaked by the 2010s: Bill Walko's The Hero Busine$$ (ended 2023); Jon Rosenberg's Scenes from a Metaverse (ended 2021); Kit Roebuck's (aka Adam Reed's) Nine Planets without Intelligent Life (ended 2025); Larry Latham's Lovecraft is Missing (ended 2014); Jesse Recklaw's Slow Wave (ended 2012). And we definitely should never forget the fantastic Tozo - The Public Servant, from David O'Connell (since 2018, the main website has belonged to a gambling site, but there are vestiges of O'Connell's work at that URL on the subpages).
In 2023, Chris Yeh predicted on Linked In that AI would lead to a "Cambrian explosion" of online comics and graphic novels. Instead, artistic and literary communities launched into painful debates over how and when to justify AI usage in the creative arts. As a result, the Cambrian explosion didn't happen.
The appetite for the past is still there as we collide with the future. But is it legitimate to ape the past with a technology that rapidly erases that past?
Retro-futurism in the last decade recalled craftsmanship, popular tastes, cultural memories, and artistic traditions like print graphics and illustration. It was part of a brief flowering of purely- or mainly-human creative activities, ironically expressed through technologically-enabled media. That could only really be done in the 2010s, when human creative practices overlapped nearly exactly with forms of technology which were just advanced enough to channel human outputs globally. But technology at that point did not yet surpass, erase, overwhelm or supersede the human. Now it potentially does.
The retro-futuristic trend was part of the 2010s' last gasp of human creativity in the pre-AI age. Will AI revive retro-futurism above its 2010s' heights? Or will this peculiar form of techno-cultural nostalgia become a badge of anti-AI sentiment? Perhaps AI will bring us to some state of compromise between the purely human and pure machine. Only time will tell.
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