The Telegraph posted photoshopped artworks designed to show how five major historical figures would look today: "The artworks, which took three months to create, were created under the watchful eye of award-winning academic, author and historian Dr Suzannah Lipscomb to ensure the new artworks accurately reflect how the historical figures might look in 2013." (Hat tip: Curious Portraits of Dead Elizabethans via -C. Also posted at Gizmodo and elsewhere.) All images are from The Telegraph. The selection includes an adaptation of the disputed Cobbe portrait of the young Shakespeare. This is one example among many of how technology has changed our awareness of the past and made it plastic and anachronistic.
Wednesday, September 4, 2013
Historical Figures Turn Millennial
The Telegraph posted photoshopped artworks designed to show how five major historical figures would look today: "The artworks, which took three months to create, were created under the watchful eye of award-winning academic, author and historian Dr Suzannah Lipscomb to ensure the new artworks accurately reflect how the historical figures might look in 2013." (Hat tip: Curious Portraits of Dead Elizabethans via -C. Also posted at Gizmodo and elsewhere.) All images are from The Telegraph. The selection includes an adaptation of the disputed Cobbe portrait of the young Shakespeare. This is one example among many of how technology has changed our awareness of the past and made it plastic and anachronistic.
Monday, September 2, 2013
Genetic Surveillance Art
Heather Dewey-Hagborg: artist's self-portrait, demonstrating the surveillance capacity of DNA trace information. "6/28/12.
Self-portrait. Based on mtDNA, Ancestry Information Markers and 50 trait specific SNPs
describing gender, eye color and detail, hair color/baldness, hair curliness, complexion,
skin lightness/darkness, tendency to be overweight." Image Source: Stranger Visions Project.
BBC reported this summer on an artist who creates portraits from DNA traces found on found objects. Beyond a Millennial artistic statement that is a weird interface of the scientific and transcendent, Heather Dewey-Hagborg aims to make the public aware of how much information really is there:
Heather Dewey-Hagborg is an artist who creates portraits of strangers based on DNA extracted from random rubbish. The project is meant to raise awareness of genetic surveillance, Dewey-Hagborg says. "We should be concerned because we don't know, yet, how our DNA might be used against us in the future," she says. Genetic artefacts such as cigarette butts and chewing gum yield enough DNA to determine one's ancestry, eye colour, and whether or not the person has a tendency to be overweight.Some participants in this project have waived all copyright to their DNA information, which raises the prospect of understanding how copyright law applies to one's DNA.
While Dewey-Hagborg argues that she is not invading people's privacy and there is 'no way you could recognize someone' from her DNA reconstructions, two possible outcomes from her work immediately spring to mind.
One is the potential for criminal police investigations. The other is that we can trace the actual impact of external life upon our genetic heritage by observing the gap between the DNA reconstruction and the appearance of the real person. The DNA reconstruction provides an image of each person's basic 'blueprint.' The real person presents the 'blueprint' plus the impact of real life. That gap, between 'nature and nurture,' is something that has been the core of (often disturbing) debates in Darwinism versus Social Darwinism, left-right politics, political philosophy, and anthropological analyses since the 19th century.
Dewey-Haborg also identifies a very important aspect of the current mentality that drives technological change; she examines how inductive reasoning, or 'bottom-up' logic, runs rampant through the turn of the Millennium:
the concept of inductive bias, an inextricable component in the framework of intelligent computer systems. ... [T]his bias represents an abstract danger which could have very real social and political consequences. ... [M]y recent art projects [also] experiment with taking the apparatus of surveillance technology and re-purposing its mechanisms for the intention of play rather than the reinforcement of power.
Heather Dewey-Hagborg: Her DNA-Reconstructed-Self-Portrait and the artist In Real Life. Image Source: Design Boom.
DNA hair sample collection at site.
Image Source: Thomas Dexter via Design Boom.
Sample 10: (Left) Bushwick - Adonis Grocery, 209 Wilson Avenue; (Right) DNA sample from haplogroup: H1+16189 (Spanish, Berber, Lebanese). Image Source: Heather Dewey-Hagborg via Design Boom.
Left: Sample 10 and Right: Sample 12. Image Source: Heather Dewey-Hagborg via Design Boom.
Sample 12: (Left) Bushwick - laundromat, Himrod Street; (Right) DNA sample from haplogroup: H2a2a (Eastern Europe, Near East). Image Source: Heather Dewey-Hagborg via Design Boom.
Saturday, August 31, 2013
Interplanetary and Interstellar Cultural Modeling
Painting the Future © by keppu. Image Source: deviantART via The Mars Society.
The Mars Society, which is dedicated to human colonization of the Red Planet, held its 16th annual symposium from 15-18 August 2013. NASA public outreach spokesperson Kent Nebergall discussed cultural models which he believes will be required for Mars colonization and interstellar space exploration. Nebergall imagines limited resources, a subsistence life combined with medieval guilds, and a strong focus on the humanities and arts so that space colonists will be able to absorb and survive extreme cultural shocks: "We have to unthink the whole globalism that we have been indoctrinated with ... since 1945 and start thinking about it in different terms that are a bit more ... hunter gatherer and less industrial. ... We've learned how to do technology, but we haven't learned how to think. And we haven't learned how to create ... [which is why] a lot of things have become more derivative of previous things." You can see his talk, Interplanetary and Interstellar Cultural Modeling on Youtube here.
Labels:
Colonization,
Futurism,
Mars,
Space Exploration,
Tech Revolution,
Utopias,
Visual Arts,
World Trade
Friday, August 30, 2013
Nuclear Leaks 30: Fukushima Leaks Chart
Image Source: Nuke Pro.
The news from Fukushima is getting more dire every day. Not only have mainstream media outlets increased their coverage, the tone of reports is sounding increasingly urgent, with international concern for the Pacific Ocean. Above, a chart which summarizes the information made public so far.
Labels:
Chernobyl,
Dystopias,
Environment,
Nuclear,
Tech Revolution
Thursday, August 29, 2013
Will the Internet Become Conscious?
Image Source: BBC.
BBC has interviewed Jeff Stibel about how the Internet is showing the earliest signs of consciousness, because it involves a pooling of human intelligences, with the Internet the crucial tool for making that pool work as a larger brain:
The internet is a new lifeform that shows the first signs of intelligence. So says brain scientist and serial entrepreneur Jeff Stibel. He argues that the physical wiring of the internet is much like a rudimentary brain and some of the actions and interactions that take place on it are similar to the processes that we see in the brain. At the same time, he says, it is forcing us as humans to interact and think in new and different ways. But, he tells BBC Future, this is just the beginning. The internet is only going to become more and more intelligent, changing humans and society in ways which we are not yet able to understand.
Labels:
A.I.,
Collective Unconscious,
Informatics,
Tech Revolution
Tuesday, August 27, 2013
First Brain-to-Brain Interface
"University of Washington researcher Rajesh Rao, left, plays a computer game with his mind, while across campus, researcher Andrea Stocco wears a magnetic stimulation coil over the left motor cortex region of his brain. ... Rao sends a brain signal to Andrea Stocco via the Internet, causing Stocco's right hand to move on a keyboard." Image Source: University of Washington via cnet.
Cnet reported today on the first successful brain-to-brain interface, sent via the Internet on 12 August 2013, wherein a brain signal from one man's brain was able to control his colleague's body:
The telepathic cyborg lives, sort of. University of Washington scientists Rajesh Rao and Andrea Stocco claim that they are the first to demonstrate human brain-to-brain communication. Rao sent a signal into a Stocco's brain via the Internet that caused him to move his right hand. Brain-to-brain communication has previously been demonstrated between rats and from humans to rats.
"The experiment is a proof in concept. We have tech to reverse engineer the brain signal and transmit it from one brain to another via computer," said Chantel Prat, an assistant professor of psychology who worked on the project.
In a press release, the experiment was described as follows:The team had a Skype connection set up so the two labs could coordinate, though neither Rao nor Stocco could see the Skype screens. Rao looked at a computer screen and played a simple video game with his mind. When he was supposed to fire a cannon at a target, he imagined moving his right hand (being careful not to actually move his hand), causing a cursor to hit the "fire" button. Almost instantaneously, Stocco, who wore noise-canceling earbuds and wasn't looking at a computer screen, involuntarily moved his right index finger to push the space bar on the keyboard in front of him, as if firing the cannon. Stocco compared the feeling of his hand moving involuntarily to that of a nervous tic.... "Right now the only way to transfer information from one brain to another is with words," ... [Prat] said. With advances in computer science and neuroscience, people could eventually perform complicated tasks, such as flying an airplane, and dancing the tango, by transferring information in a noninvasive way from one brain to another. "You can imagine all complex motor skills, which are difficult to verbalize, are just chains of procedures," Prat said.
More complex cognitive skills, such as understanding algebra and physics could also benefit from the technology. "Ultimately, it's important education and training, especially when knowledge cannot be easily translatable into words." she said.
Prat noted that some people might be nervous about this technology being used to control minds against their will. "The signal is being transmitted remotely through the Internet, but the humans are connected to physical equipment and must be trained to create the right signals. There is no way to control minds without their willingness," Prat said.
"The schematic diagram shows how the brainwave signal was transferred from one brain to another."
Image Source: University of Washington via cnet.
Labels:
Film,
Futurism,
Informatics,
Millennium,
Tech Revolution,
Transhumanism
16 Years of Uptime
Image Source: Ars Technica.
Ars Technica ran a piece on an Intel server that ran for sixteen years until it was shut down this past March; the server had in its uptime spanned most of the history of the public Internet:
It's September 23, 1996. It's a Monday. The Macarena is pumping out of the office radio, mid-way through its 14 week run at the top of the Billboard Hot 100, doing little to improve the usual Monday gloom.
Easing yourself into the week, you idly thumb through a magazine, and read about Windows NT 4.0, released just a couple of months previous. You wonder to yourself whether Microsoft's hot new operating system might finally be worth using.
Then it's down to work. Microsoft can keep its fancy GUIs and graphical server operating systems. NetWare 3.12 is where it's at: bulletproof file and print sharing. The server, named INTEL after its process, needs an update, so you install it and reboot. It comes up fine, so you get on with the rest of your day.
Sixteen and a half years later, INTEL's hard disks—a pair of full height 5.25 inch 800 MB Quantum SCSI devices—are making some disconcerting noises from their bearings, and you're tired of the complaints. It's time to turn off the old warhorse.
Connection Terminated. It seems almost criminal.
The server was decommissioned by ... Axatax, as documented in this thread.
Image Source: Ars Technica.
Image Source: Ars Technica.
Labels:
Informatics,
Millennium,
Nostalgia,
Tech Revolution
Monday, August 26, 2013
Humanities, Arts, Critical Thinking? There's an App for That
Image Source: S. Gross via Living Life Forward.
It has become popular to label the arts and humanities as useless subjects whose graduates will never find jobs and will become a burden on society. In an arrogant and wrong-headed article, The New Republic blamed non-science specialists for the decline of their own disciplines, asserting that they display a "philistine indifference to science," and a dated devotion to dead end Postmodernism:
The humanities are the domain in which the intrusion of science has produced the strongest recoil. Yet it is just that domain that would seem to be most in need of an infusion of new ideas. By most accounts, the humanities are in trouble. University programs are downsizing, the next generation of scholars is un- or underemployed, morale is sinking, students are staying away in droves. No thinking person should be indifferent to our society’s disinvestment from the humanities, which are indispensable to a civilized democracy.
Diagnoses of the malaise of the humanities rightly point to anti-intellectual trends in our culture and to the commercialization of our universities. But an honest appraisal would have to acknowledge that some of the damage is self-inflicted. The humanities have yet to recover from the disaster of postmodernism, with its defiant obscurantism, dogmatic relativism, and suffocating political correctness. And they have failed to define a progressive agenda. Several university presidents and provosts have lamented to me that when a scientist comes into their office, it’s to announce some exciting new research opportunity and demand the resources to pursue it. When a humanities scholar drops by, it’s to plead for respect for the way things have always been done.
History nerds can adduce examples that support either answer, but that does not mean the questions are irresolvable. Political events are buffeted by many forces, so it’s possible that a given force is potent in general but submerged in a particular instance. With the advent of data science—the analysis of large, open-access data sets of numbers or text—signals can be extracted from the noise and debates in history and political science resolved more objectively.
Calls to remove humanities include the arts and liberal arts, although the arts are deemed so insignificant as to be mentioned only rarely by pundits indulging this anti-cultural trend. One glance at the number of articles at the bottom of this post suggests that perhaps this is more than a trend - it is a new movement.
These calls are coming from both sides of the political fence, along with people working in two sectors: high tech and finance. These two sectors are presently climbing to a pinnacle of power. Yet they arguably were the source of much distress over the past few years. They, along with their political guardians, have failed in their core assumptions about economic productivity, while focusing overly on marketing and consumption. And that is only the start of what is wrong with them. As the failures of these sectors have become more obvious, their commentators have gone on the offensive against the only preserves in society which offer any genuine alternative voice. What they cannot commandeer, they attack.
The frightening message to young students is, "Join the technocracy, or starve." If you can't be an engineer, a technocrat, a financial drone, or a marketer, what good are you? An article from Forbes on the 10 "least valuable" degrees reads like a checklist for building an unhealthy, plugged in, spiritually impoverished and blindly unconscious police state, with no connection to the past, no understanding of cultural context, and no way of recognizing or combating political oppression. The 10 "worst" college majors listed are: (1) Anthropology and Archaeology; (2) Film, Video and Photographic Arts; (3) Fine Arts; (4) Philosophy and Religious Studies; (5) Liberal Arts; (6) Music; (7) Physical Fitness and Parks Recreation; (8) Commercial Art and Graphic Design; (9) History; (10) English Language and Literature.
This is a serious attack on arts and humanities disciplines. This is not about the so-called realities of economics. It is not about common sense. It is not about what is wrong with teaching in the arts and humanities. It is not even about the fact that the arts and humanities supposedly cultivate navel-gazing, lazy hipsters.
This trend against the arts and humanities is a vanguard bid for control of the establishment, from two sectors which (given their records so far) do not deserve even to make a bid for control at all. It is a battle for the right to communicate, to broadcast dominant social messages and to shape cultural values. It is a battle over the immense profits to be won through technologically-driven social control. It stems (no pun intended) from a larger awareness that politics, government and the economy are on the verge of massive transformation via technological advancements. Normally, the humanities would dominate this transformation because the change is occurring in the area of communications. Instead, people who work in these areas are being devalued, ignored, criminalized. The move to channel undergraduates away from these subjects reveals a need to diminish the numbers of those who understand particular branches of knowledge. It would be foolish and dangerous to see this as simple philistinism.
In the wake of the Great Recession and with the slow birth of a surveillance state, suddenly there are calls for the erasure of subjects which foster critical thinking of human behaviour, and meaningful understanding of grey areas in human affairs? Because they don't pay in the current economy? Well, what does pay in the current economy? Superhighways through archaeological sites and virgin rain forests? Global contracts to build nuclear power plants, based on faulty engineering? Construction bubbles in China which have built gigantic, empty cities? Giant dams to control water resources for one country at the expense of security in an entire region? Facial recognition software which puts the 'face' into Facebook? Where is the common sense in any of these projects? The argument against the arts and humanities reflects the consolidation of power away from, and isolating attack upon, any part of global culture that has not already been safely packaged, industrialized, appropriated and monopolized in the service of the fledgeling technocracy.
Anti-humanities pundits argue that humanities specialists only have themselves to blame. The latter don't deliver value for money. They are mired in Postmodernism. They are politically skewed. They dispensed with standards. Nitty gritty problems in the humanities and arts fields are being used by critics to obscure much larger developments here: a failed economy and an incipient surveillance society. The Great Recession did not transpire because there are Philosophy majors in the world. If anything, we need more Philosophy majors: it would be nice if we still had people around who could distinguish fact from fiction in the Information Age.
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