Thursday, July 24, 2014
Saturday, July 19, 2014
History in the Echo Chamber
Erasures from history are hallmarks of dictatorships. Image Source: Business Insider.
History is up for grabs. In the malleable global media, parts of history are being denied, erased or changed beyond recognition to suit new agendas. What is being changed, by whom, and where it is happening, all foreshadow coming trends in politics and daily life.
Sunday, July 13, 2014
The Trap of Prometheus
Section from Nocturnal Figure Composition (2004) by George Condo.
In the American television show, Rectify (2013), one character describes the basic instincts of human nature which endure across thousands of years, "Just don't let all this technology lull you, son. If you think we're in modern times, watch yourself." Those of you clutching your glowing iPhones, beware the undertow, because some things don't change. From the Russian film Nightwatch (Ночной дозор 2004): "It is easier for a man to destroy the light inside himself than to defeat the darkness around him."
That film depicts a comforting mythical battle between light and dark; but the more common Millennial experience is shades of grey. Even when progress is progressive, it comes at a terrible cost. The price is paid at unexpected moments, because everywhere there is a gap between action and consequences.
Sunday, July 6, 2014
Bitcoin: Economy of the Eternal Now
De Oude Beurs, Antwerp, Belgium (Urbex photo of the ruins of the world's first modern stock exchange, Antwerp).
In May, I chatted with Chris Ellis, aka ChrisJ of Feathercoin, about how cryptocurrencies could change global economics and society (see my earlier related post here). What follows today is not exactly an interview, but reflections on some of the things we discussed. We talked mainly about Bitcoin. But one senses that it is Ellis's work on Feathercoin - an altcoin established on 16 April 2013 and originally developed by Peter Bushnell at Brasenose College, Oxford - that brings Ellis to some of Bitcoin's biggest questions, and indeed, to some of the biggest questions surrounding all cryptos.
For Ellis, an economy is a system of how we define ourselves in relation to time. In a June 2014 interview, he noted Mike Maloney's remark that the ultimate form of money is time, the ultimate irreversible transaction.
Bitcoin is above all a technology of its blockchain, a time-stamped ledger either of economic transactions, or of interactions in Bitcoin's non-currency applications. According to Ellis, Bitcoin is really "a great big unstoppable clock." And that means that Bitcoin represents a watershed moment, the start of a change in how we understand time technologically, economically, socially and culturally.
Sunday, June 29, 2014
Photo of the Day: Persistent Saturnian Auroras
Image Source: J. Clarke (Boston U.) & Z. Levay (STScI), ESA, NASA.
From NASA:
"Persistent Saturnian Auroras - Are Saturn's auroras like Earth's? To help answer this question, the Hubble Space Telescope and the Cassini spacecraft monitored Saturn's South Pole simultaneously as Cassini closed in on the gas giant in January 2004. Hubble snapped images in ultraviolet light, while Cassini recorded radio emissions and monitored the solar wind. Like on Earth, Saturn's auroras make total or partial rings around magnetic poles. Unlike on Earth, however, Saturn's auroras persist for days, as opposed to only minutes on Earth. Although surely created by charged particles entering the atmosphere, Saturn's auroras also appear to be more closely modulated by the solar wind than either Earth's or Jupiter's auroras. The above sequence shows three Hubble images of Saturn each taken two days apart."
Historic Present Superimposition
Image Source: Sungseok Ahn/Sony World Photography Awards via Yahoo.
Yahoo reports on a Gen Y South Korean artist, Sungseok Ahn, who superimposes past photographs over present views and then photographs the resulting scenes:
Sungseok Ahn's Historic Present questions the memory of past from the fast changing scenery of today. By overlapping a historical location with an old image of that exact place, he questions the way we treat our history and explores the dynamics.
For more photos from Historic Present, all reproduced from Sungseok Ahn's Website (here), see below the jump; copyright remains with the artist and photos are reproduced here for non-commercial discussion only.
Labels:
Generation Y,
Memory,
Meta-Metahistory,
Metatime,
Visual Arts
New Blog Page
Mars Desert Research Station, Southern Utah (2013). Image Source: Mars Society.
Today, I am changing the blog's format and adding a new page to the blog. In the past, regular posts at Histories of Things to Come have featured longer pieces - commentaries, interviews and reviews - and short excerpts from interesting news items. Due to other work demands, I am mainly posting longer think pieces only on Sundays or Mondays. I have a separate page to cite exceptional pieces which reflect the themes of this blog:
However, there are also many links I find that are relevant, but don't need extended citation or reblogging in a post. I have set up a new page, which I will occasionally update:
This is a compendium similar to Graham Hancock's Daily Alternative News Desk.
ADDENDUM (7 January 2015): The News and Views Digest page is temporarily down due to an editing glitch in Blogger. When I get the problem sorted out the page will be restored.
Labels:
Blog
Friday, June 27, 2014
Anniversaries: Sarajevo
Image Source: Smithsonian.
One hundred years ago today (28 June 1914), Gavrilo Princip assassinated Archduke Franz Ferdinand of Austria (1863-1914) and his wife, Sophie, Duchess of Hohenberg (1868-1914) in Sarajevo, which marked the start of the First World War. It started as a bad day with poor security in a dangerous capital; Franz Ferdinand had already survived one assassination attempt earlier that day; and the car the heir to the throne and his wife were riding was reported to be cursed. Rumours and superstitions aside, the entire event was surrounded by weird, unfortunate and all-too-real coincidences. Smithsonian:
The appalling combination of implausible circumstance that resulted in assassination is one; Franz Ferdinand had survived an earlier attempt to kill him on the fateful day, emerging unscathed from the explosion of a bomb that bounced off the folded roof of his convertible and exploded under a car following behind him in his motorcade. That bomb injured several members of the imperial entourage, and those men were taken to the hospital. It was Franz Ferdinand’s impulsive decision, later in the day, to visit them there—a decision none of his assassins could have predicted—that took him directly past the spot where his assassin, Gavrilo Princip, was standing. It was chauffeur Leopold Lojka’s unfamiliarity with the new route that led him to take a wrong turn and, confused, pull to a halt just six feet from the gunman.
For the archduke to be presented, as a stationary target, to the one man in a crowd of thousands still determined to kill him was a remarkable stroke of bad luck, but even then, the odds still favored Franz Ferdinand’s survival. Princip was so hemmed in by the crowd that he was unable to pull out and prime the bomb he was carrying. Instead, he was forced to resort to his pistol, but failed to actually aim it. According to his own testimony, Princip confessed: “Where I aimed I do not know,” adding that he had raised his gun “against the automobile without aiming. I even turned my head as I shot.” Even allowing for the point-blank range, it is pretty striking, given these circumstances, that the killer fired just two bullets, and yet one struck Franz Ferdinand’s wife, Sophie—who was sitting alongside him—while the other hit the heir to the throne. It is astonishing that both rounds proved almost immediately fatal. Sophie was hit in the stomach, and her husband in the neck, the bullet severing his jugular vein. There was nothing any doctor could have done to save either of them.
[T]he Gräf & Stift’s license plate ... reads AIII 118. That number ... is capable of a quite astonishing interpretation. It can be taken to read A (for Armistice) 11-11-18— which means that the death car has always carried with it a prediction not of the dreadful day of Sarajevo that in a real sense marked the beginning of the First World War, but of November 11, 1918: Armistice Day, the day that the war ended.This coincidence is so incredible that I initially suspected that it might be a hoax—that perhaps the Gräf & Stift had been fitted with the plate retrospectively. A couple of things suggest that this is not the case, however. First, the pregnant meaning of the intitial ‘A’ applies only in English—the German for ‘armistice’ is Waffenstillstand ... that literally translates as “arms standstill.” And Austria-Hungary did not surrender on the same day as its German allies—it had been knocked out of the war a week earlier, on November 4, 1918. So the number plate is a little bit less spooky in its native country. ...
More important, however, a contemporary photo of the fateful limousine, taken just as it turned into the road where Gavrilo Princip was waiting for it, some 30 seconds before Franz Ferdinand’s death, shows the car bearing what looks very much like the same number plate as it does today. You’re going to have to take my word for this—the plate is visible, just, in the best-quality copy of the image that I have access to, and I have been able to read it with a magnifying glass. But my attempts to scan this tiny detail in high definition have been unsuccessful. I’m satisfied, though, and while I don’t pretend that this is anything but a quite incredible coincidence, it certainly is incredible, one of the most jaw-dropping I’ve ever come across.
The Archduke and his wife. Image Source: Funfront.
Princip's arrest. Image Source: HistoryLearningSite.
Image Source: Telegraph.
Labels:
Anniversaries,
Meta-Metahistory,
Omens,
Superstitions,
War,
World War I
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